杜甫诗歌英译研究在中国

篇一：中国古诗词英译

中国古诗词英译

第一部分 由许渊冲翻译

关雎

关关雎鸠,

在河之洲.

窈窕淑女,

君子好逑.

参差荇菜,

左右流之.

窈窕淑女,

妩媚求之.

求之不得,

妩媚思服.

优哉游哉,

辗转反侧.

参差荇菜,

左右采之.

窈窕淑女,

琴瑟友之.

参差荇菜,

左右毛之.

窈窕淑女,

钟鼓乐之.

Cooing And Wooing

Translated by Xu Yuanchong

By riverside are cooing

A pair of turtledoves;

A good young man is wooing

A fair maiden he loves.

Water flows left and right

Of cress long here, short there;

The youth yearns day and night

For the good maiden fair.

His yearning grows so strong,

He can not fall asleep,

But tosses all night long,

So deep in love, so deep!

Now gather left and right

Cress long or short and tender!

O lute, play music bright

For the bride sweet and slender!

Feast friends at left and right

On cress cooked till tender!

O bells and drums, delight

The bride so sweet and slender!

大风歌

刘邦

大风起兮云飞扬,

威加海内兮归故乡。

安得猛士兮守四方！

SONG OF THE GREAT WIND

Translated by Xu Yuanchong

A great wind rises, oh! The clouds are driven away.

I come to my native land, oh! Now the world is under my sway. Where can I brave men, oh! To guard my four frontiers today!

垓下歌

项羽

力拔山兮气盖世，

时不力兮驹不逝。

驹不逝兮可奈何，

虞兮虞兮耐若何！

XIANG YU‘S LAST SONG

Translated by Xu Yuanchong

I could pull mountains down, oh! With main and might, But my good fortune wanes, oh! My steed won‘t fight.

Whether my steed will fight, oh! I do not care.

What can I do with you, oh! My lady fair!

龟虽寿

曹操

神龟虽寿，

尤有竟时。

腾蛇乘雾，

终为土灰。

老骥伏枥，

志在千里。

烈士暮年，

壮心不已。

盈缩之期，

不但在天；

养怡之福，

可得永年。

幸甚至哉，

歌以咏志。

INDOMITABLE SOUL

Translated by Xu Yuanchong

Although long lives the tortoise wise,

In the end he can not but die.

The serpent in the mist may rise,

But in the dust he too shall die.

Although the stabled steed is old,

He dreams to run for mile and mile.

In life‘s December heroes bold

Won‘t change indomitable style.

It‘s not up to Heaven alone

To lengthen or shorten our day.

To a great age we can live on,

If we keep it fit, cheerful and gay.

How happy I feel at this thought!

I croon this poem as I ought.

七步诗

曹植

煮豆燃豆萁，

豆在釜中泣。

本是同根生，

相煎何太急。

WRITTEN WHILE TAKING SEVEN PACES

Translated by Xu Yuanchong

Pods burned to cook peas,

Peas weep in the pot:

―Grown from same root, please,

Why boil us so hot?‖

神情诗

顾恺之

春水满四泽，

夏云多奇峰。

秋月扬明辉，

冬岭修寒松。

SPIRIT OF THE FOUR SEASONS

Translated by Xu Yuanchong

Spring water overbrims the streams;

Summer could fancy peaks outshines;

The autumn moon sheds brilliant

On winter cliffs stand cold-proof pines.

归园田居

陶渊明

种豆南山下，

草盛豆苗稀。

晨兴理荒秽，

带月荷锄归。

道狭草木长，

夕露沾我衣。

衣沾不足惜，

但使愿无违。

RETURN TO NATURE

Translated by Xu Yuanchong

I sow beans‘ neath southern hill;

Bean shoots are lost where weeds o‘ erthepath grow.

I weed at dawn though early still;

I plod home with my moonlit hoe.

The path is narrow, grasses tall,

With evening dew my clothes wet,

To which I pay no heed at all,

If my desire can but be met.

回乡偶书

贺之章

（一）

少小离家老大回，

乡音未改鬓毛衰。

儿童相见不相识，

笑问客从何处来。

IHOME-COMING

Translated by Xu Yuanchong

I

Old, I return to the homeland while young,

Thinner has grown my hair, though I speak the same tongue.

My children, whom I meet, do not know am i.

―Where are you from, dear sir?‖ they ask with beaming eye.

（二）

离别家乡岁月多，

近来人事半消磨。

惟有门前镜湖水，

春风不改旧时波。

II

Since I left my homeland, so many years has passed,

So such has faded away and so little can last.

Only in Mirror Lake before my very door

The vernal wind still ripples the water as before.

在狱咏蝉

骆宾王

西陆蝉声唱，

南冠客思深。

不堪玄鬓影，

来对白头吟。

露重飞难进，

风多响易沉。

无人信高洁，

谁为表予心。

THE CICADA HEARD IN PRISON

Translated by Xu Yuanchong

Of autumn the cicada sings;

In prison I‘m worn out with care.

How can I bear its blue-black which remind me of my gtey hair?

Heavy with dew, it can not fly;

Drowned in the wind, its song‘s not heard.

Who would believe its spirit high?

Could I express my grief in word?

登鹳雀楼

王之涣

白日依山尽，

黄河入海流。

欲穷千里目，

更上一层楼。

ON THE STOCK TOWER

Translated by Xu Yuanchong

The sun beyond the mountain glows;

The Yellow River seawards flows.

You can enjoy a great sight

By climbing to a greater height.

春晓

孟浩然

春眠不觉晓，

处处闻啼鸟。

夜来风雨声，

篇二：中国古诗词英译50份

中国古诗词英译

第一部分 由许渊冲翻译

关雎

关关雎鸠,在河之洲.窈窕淑女,君子好逑.参差荇菜,左右流之.窈窕淑女,妩媚求之. 求之不得,妩媚思服.优哉游哉,辗转反侧.参差荇菜,左右采之.窈窕淑女,琴瑟友之. 参差荇菜,左右毛之.窈窕淑女,钟鼓乐之.

Cooing And Wooing

By riverside are cooing;A pair of turtledoves;A good young man is wooing

A fair maiden he loves.

Water flows left and right;Of cress long here, short there;The youth yearns day and night;For the good maiden fair.

His yearning grows so strong,He can not fall asleep,But tosses all night long,

So deep in love, so deep!

Now gather left and right;Cress long or short and tender!O lute, play music bright

For the bride sweet and slender!

Feast friends at left and right;On cress cooked till tender!O bells and drums, delight

The bride so sweet and slender!

大风歌刘邦

大风起兮云飞扬,威加海内兮归故乡。安得猛士兮守四方！

SONG OF THE GREAT WIND

A great wind rises, oh! The clouds are driven away.

I come to my native land, oh! Now the world is under my sway.

Where can I brave men, oh! To guard my four frontiers today!

垓下歌 项羽

力拔山兮气盖世，时不力兮驹不逝。驹不逝兮可奈何，虞兮虞兮耐若何！

XIANG YU‘S LAST SONG

I could pull mountains down, oh! With main and might,

But my good fortune wanes, oh! My steed won‘t fight.

Whether my steed will fight, oh! I do not care.

What can I do with you, oh! My lady fair!

龟虽寿 曹操

神龟虽寿，尤有竟时。腾蛇乘雾，终为土灰。老骥伏枥，志在千里。

烈士暮年，壮心不已。盈缩之期，不但在天；养怡之福，可得永年。

幸甚至哉，歌以咏志。

INDOMITABLE SOUL

Although long lives the tortoise wise, In the end he can not but die.

The serpent in the mist may rise, But in the dust he too shall die.

Although the stabled steed is old, He dreams to run for mile and mile.

In life‘s December heroes boldWon‘t change indomitable style.

It‘s not up to Heaven aloneTo lengthen or shorten our day.

To a great age we can live on, If we keep it fit, cheerful and gay.

How happy I feel at this thought!I croon this poem as I ought.

七步诗 曹植

煮豆燃豆萁，豆在釜中泣。本是同根生，相煎何太急。

WRITTEN WHILE TAKING SEVEN PACES

Pods burned to cook peas, Peas weep in the pot:

―Grown from same root, please, Why boil us so hot?‖

神情诗顾恺之

春水满四泽，夏云多奇峰。秋月扬明辉，冬岭修寒松。

SPIRIT OF THE FOUR SEASONS

Spring water overbrims the streams;Summer could fancy peaks outshines;

The autumn moon sheds brilliant;On winter cliffs stand cold-proof pines.

归园田居陶渊明

种豆南山下，草盛豆苗稀。晨兴理荒秽，带月荷锄归。道狭草木长，

夕露沾我衣。衣沾不足惜，但使愿无违。

RETURN TO NATURE

I sow beans‘ neath southern hill;Bean shoots are lost where weeds o‘ er the path grow.

I weed at dawn though early still;I plod home with my moonlit hoe.

The path is narrow, grasses tall,With evening dew my clothes wet,

To which I pay no heed at all,If my desire can but be met.

回乡偶书贺之章

（一）少小离家老大回，乡音未改鬓毛衰。儿童相见不相识， 笑问客从何处来。 IHOME-COMING

Old, I return to the homeland while young,

Thinner has grown my hair, though I speak the same tongue.

My children, whom I meet, do not know am i.

―Where are you from, dear sir?‖ they ask with beaming eye.

（二）离别家乡岁月多，近来人事半消磨。惟有门前镜湖水，春风不改旧时波。 Since I left my homeland, so many years has passed,

So such has faded away and so little can last.

Only in Mirror Lake before my very door

The vernal wind still ripples the water as before.

在狱咏蝉 骆宾王

西陆蝉声唱，南冠客思深。不堪玄鬓影，来对白头吟。露重飞难进，

风多响易沉。无人信高洁，谁为表予心。

THE CICADA HEARD IN PRISON

Of autumn the cicada sings;

In prison I‘m worn out with care.

How can I bear its blue-black which remind me of my gtey hair?

Heavy with dew, it can not fly;

Drowned in the wind, its song‘s not heard.

Who would believe its spirit high?

Could I express my grief in word?

登鹳雀楼 王之涣

白日依山尽，黄河入海流。欲穷千里目，更上一层楼。

ON THE STOCK TOWER

The sun beyond the mountain glows;The Yellow River seawards flows.

You can enjoy a great sightBy climbing to a greater height.

春晓 孟浩然

春眠不觉晓，处处闻啼鸟。夜来风雨声，花落知多少。

SPRING MORNING

This spring morning in bed I‘m lying, Not to awake till birds are crying.

After one night of wind and showers, How many are the fallen flowers?

从军行王昌龄

青海长云暗雪山，古城遥望玉门关。黄沙百战穿金甲，不破楼兰终不还。

ARMY LIFE

Clouds on frontier have darkened mountains clad in snow;

The town with Gate of Jade stands far away, forlorn.

We will not leave the desert till we beat the foe,

Although in war our golden armour be outworn.

静夜思 李白

床前明月光，疑是地上霜。举头望明月，低头思故乡。

A TRANQUIL NIGHT

Before my bed a pool of night—Can it be hoarfrost on the ground?

Looking up, I find the moon bright;Bowing, In homesickness I‘m drowned.

早发白帝城李白

朝辞白帝彩云间，千里江陵一日还。两岸猿声啼不住，轻舟已过万重山。

LEAVING THE WHITE KING‘S TOWN AT DAWN

Leaving at dawn the White King crowned with rainbow cloud,

I have sailed a thousand miles through Three Georges in a day.

With monkeys‘ sad adieus the riverbanks are loud;

My boat has left ten thought mountains far away.

送友人李白

青山横北郭，白水绕东城。此地一为别，孤蓬万里征。浮云游子意，

落日故人情。挥手自兹去，萧萧班马鸣。

FAREWELL TO A FRIEND

Green mountains bar the northern sky;White grids the eastern town.

Here is the place to say goodbye;You‘ll drift like lonely thistledown.

With floating cloud you‘ll float away;Like parting day I‘ll part from you.

You wave your hand and go your way;Our steeds still neigh, ―adieu,adieu!‖

黄鹤楼 崔颢

昔人已乘黄鹤去，此地空余黄鹤楼。黄鹤一去不复返，白云千载空悠悠。

晴川历历汉阳树，芳草萋萋鹦鹉洲。日暮乡关何处是？烟波江上使人愁。

YELLOW CRANR TOWER

The stage on yellow crane was gone amid clouds white.

To what avail is Yellow Crane Tower left here?

Once gone, the yellow crane will ne‘er on earth alight;

Only white clouds still float in vain from year to year.

By sunlit river trees can be count‘d one by one;

On Parrot Islet sweet green grass grows fast and thick.

Where is native land beyond the setting sun?

The mist-veiled waves of River Han make me homesick.

春望杜甫

国破山河在，城深草木深。感时花溅泪，恨别鸟惊心。烽火连三月，

家书抵万金。白头搔更短，浑欲不胜簪。

SPRING VIEW

On war-torn land streams flow and mountains stand; In towns unquiet grass and weeds run riot. Grieved o‘er the years, flowers are moved to tears;Seeing us part, birds cry with broken heart. The beacon fire has gone higher and higher; Words from household are worth their weight in gold. I can not bear to scratch my grizzling hair;It grows too thin to hold a light hairpin.

枫桥夜泊张继

月落乌啼霜满天，江枫渔火对愁眠。姑苏城外寒山寺，夜半钟声到客船。 MOORING BY MAPLE BRIDGE AT NIGHT

At moonset cry the crows, streaking the frosty sky;

Dimly lit fishing boats ?neath maples sadly lie.

Beyond the city walls, from Temple of Cold Hill

Bells break the ship-borne roamer‘s dream and midnight still.

复得古原草送别白居易

离离原上草，一岁一枯荣。野火烧不尽，春风吹又生。远方侵古道， 晴翠接荒城。又送王孙去，萋萋满别情。

GRASS ON THE ANCIENT PLAIN –FAREWELL TO A FRIEND

Wild grasses spread o‘er ancient plain;

With spring and fall they come and go.

Wild fire can‘t burn them up; again

They rise when vernal breezes blow.

Their fragrance overruns the way;

Their green invades the ruined town.

To see friend go far away,

My sorrow grows like grass o‘ er grown.

乐游原李商隐

向晚意不适，驱车登古原。夕阳无限好，只是近黄昏。

ON THE PLAIN OF TOMB

At dusk my heart is filled with gloom;I drive my cab to ancient tomb.

The setting sun seems to sublime,But it is nearing its dying time.

江上渔者范仲淹

江上往来人，但爱鲈鱼美。君看一叶舟，出没风波里。

THE FISHERMAN ON THE STREAM

You go up and down stream;You love to eat the bream.

Lo! The fishing boat braves,Perilous wind and waves.

梦中作欧阳修

风凉吹笛千山月，路暗迷人百种花。棋罢不知人换世，酒阑无余客思家。 WRITING IN DREAM

A flute has chilled the moon over a thousand hills;

Dim sight is dazzled by a hundred daffodils.

After a game of chess, the world has changed its face;

Sobered from wine, can one not miss his native place?

绝句 李清照

生当作人杰，死亦为鬼雄。至今思项羽，不肯过江东。

A QUATRAIN

Be man of men while you are alive;Be soul of souls e‘en though you‘re dead! Think of Xiang Yu who‘d not survive His men, whose blood for him was shed. 观书有感朱熹

半亩方塘一鉴开，天光云影共徘徊。问渠哪得清如许？为有源头活水来。 THE BOOK

There lies a glassy oblong pool, Where light and shade pursue their course. How can it be so clear and cool? For water fresh comes from its source.

秋思马致远

枯藤老树昏鸦，小桥流水人家。古道西风瘦马，夕阳西下，断肠人在天涯。 AUTUMN THOUGHTS

Over old trees;Wreathed with rotten vines fly evening crows;

Under a small bridge near a cottage a stream flows;

On ancient road in the west wind a lean horse goes.

Westward declines the sun; Far, far from home is the heartbroken one. 石灰吟 于谦

千槌万凿出深山，烈火焚烧若等闲。粉身碎骨浑不怕，要留清白在人间。 SONG TO THE LIME

You come out of deep mountains after hammer blows;

Under fire and water tortures you are not in woes.

Though broken into pieces, you will have no fright;

You‘ll purify the world by washing it e‘er white.

泊船瓜洲 王安石

京口瓜洲一水间，钟山只隔数重山。 春风又绿江南岸，明月何时照我还。 MOORED AT MELON ISLET

A river severs Northern shore and Southern land;

Between my home and me but a few mountains stand.

The vernal wind has greened the Southern shore again.

When will the moon shine bright on my return? O when?

过零丁洋文天祥

辛苦遭逢起一经，干戈寥落四周星。山河破碎风飘絮，身世浮沉雨打萍。 惶恐滩头说惶恐，零丁洋里叹零丁。人生自古谁无死，留取丹心照汗青。 SAILING ON LONELY OCEAN

Delving in the Book of Change,I rose through hardship great,

And desperately fought the foe for four long years.

Like willow down the war-town land looks desolate;

I sink or swim as duckweed in the rain appears.

For the perils on Perilous Beach I have sighs;

On Lonely Ocean now I feel dreary and lonely.

Since olden days there‘s never been a man but dies;

I‘d leave a loyalist‘s name in history only.

金缕衣 无名氏

劝君莫惜金缕衣，劝君莫许少年时。有花堪折直须折，莫待无花空折枝。 THE GOLDEN DRESS

Love not your golden dress, I pray, More then your youthful golden hours. Gather sweet blossoms while you may, And not the twig devoid of flowers! 别董大高适

千里黄云白日曛，北风吹雁雪纷纷。莫愁前路无知己，天下谁人不识君。 FAREWELL TO A LUTIST

Yellow clouds spread for miles and miles have veiled the day,

The north wind blows down snow and wild geese fly away.

Fear not you‘ve no admirers as you go along!

There is no connoisseur on earth but loves your song.

题滕王阁 王安石

滕王平昔好追游，高阁依然枕必流。胜地几经兴废事，夕阳偏照古今愁。

篇三：唐诗英译中的意象研究开题报告

引言：中国是个诗歌的国度，是世界文化瑰宝中璀璨的明珠，唐朝是中国历史上政治开明、经济繁荣、文化昌盛的时期，在这个时期中国古体诗(格律诗)的创作达到了鼎盛。唐诗语言优美、文字流畅、意境高雅、情感真挚、思想开放而深邃，是中华民族文学宝库的精华，也是绽放在世界文苑里的一枝奇葩。诺贝尔文学评奖委员会主席埃斯库马克盛赞中国文学独特的艺术美时曾说:“世界上哪些作品能与中国的唐诗和《红楼梦》相比呢?”唐诗作为瑰宝，具有丰富的人文气息和艺术之美。诗歌的意象为诗歌美的重要体现形式，而意象的翻译直接关系到原诗美的传递。本文从美学角度出发，着眼于诗歌“意象”的定义和审美特征，阐释了诗歌的意象是人的存在形式通过“赋比兴”等手法而进行的诗意的表达，而人的本性和事物的异质同构的特点使诗歌意象的翻译成为可能。通过结合唐诗英译的例子，通过对译本分析并总结出，诗歌意象翻译中对原诗意象和意象背后的意境的理解是关键，在实践中还要结合译入语境对意象作阐释或调整，这些策略对诗歌翻译有着重要的指导意义，同时翻译的过程属于文化再现的过程，应该将文化背景纳入考虑范围，做到形美意美的统一。

1. 目的及意义

随着汉语热在全球升温以及孔子学院在世界各地的不断落户，外国人对中国文化的兴趣越来越浓。

唐诗作为中国文化的缩影，集历史，文化，经济，内涵于一体，意象更是传达这些含义的重要媒介。“意象”是中国古代文论中的一个重要概念，它集中地体现在中国古代诗歌创作中。英国汉学家威亚瑟．韦利把意象视为诗歌的灵魂，因为意象积淀和折射出丰富的中国文化底蕴。我国古代著名学者胡应麟也说：“古诗之妙，专求意象"。意与象统一、情与景交融，是中国古代诗歌的审美追求，在唐诗中得到了完美的表现。从某种意义上说，译诗即译意象，一首唐诗的英译过程，就是该诗的意象在英语中重组和再现的过程。从意象转译的角度研究唐诗英译，无疑是一项很有意义的课题。本论文以唐诗英译为研究对象，探讨“意象’’在中西文化中的内涵、演变及其对诗歌翻译的影响，选取有代表性的翻译家进行个案分析，进而提出诗歌意象转译的原则与策略。同时通过同首唐诗的不同翻译版本探讨诗歌翻译的注意事项，从而初步得出唐诗意象翻译的相关策略和技巧。

2. 国内外研究现状

中国近现代出现很多优秀的翻译家，严复，傅雷，梁启超，而唐诗英译更是翻译家乐此不疲的功课。当代中国优秀的唐诗翻译家代表有许渊冲，舟晓航,刘祖慰，孙强新，高嘉正.。以许渊冲着重唐诗的意象为例，他说过："理论来自实践，又要受到实践的检验。这是我提出’创中国学派文学翻译理论’的哲学基础。"他正是在继承前人学说的基础上，集毕生翻译之经验加以发展，提出了自成一派的翻译理论"优化论"，用"美化之艺术，创优似竞赛"这十个字加以概括，并且在《翻译的艺术》（1984）、《文学翻译谈》（1998）、《文学与翻译》（2003）等著作中，对形似与神似，求真与求美，翻译与创作，"翻译腔"和"四字成语"，中西文化的差异，两种文化的竞赛等问题进行了具体的论述，归纳起来可以分为以下三论："三美论"（意美、音美、形美）是译诗的本体论。三美之中，最重意美，音美次之，最后是形美，也就是说翻译是美的创造，所以神似胜于形似，要在传达原文意美的前提下，努力做到三美齐备。"三化论"（深化、等化、浅化）是译诗的方法论。分别利用加词、换词和减词等方法，通过意译来努力达到神似的境界。"三之论"（知之、好之、乐之）是译诗的目的论。知之是使人理解，这是翻译的基本要求；然后要求好之，能使人喜欢；最高的境界是乐之，能使人愉快。

同时唐诗在外国也是受到了关注和热捧。西方学者译介中国古典诗词（主要是唐诗）是从1898年赫本特·翟尔（Herbert Gile）的英译本《中国诗词》（Chinese Poetry in English Verse）开始的；20世纪20年代末或1929年威特·拜讷（Witter Bynner）在纽约出版了英译本《中国诗选》（A Chinese Anthology，美国最早的英译《唐诗三百首》）；美国诗人庞德Ezra Pound (1885-1972) 译过汉武帝的《秋风辞》和李白的《长干行》等不少唐诗。 1940 年伦敦出版了叟姆· 杰尼斯（Soame Jenyns）《唐诗三百首选译》，1944年又出版了该书的增补版本。杰出的美国女翻译家阿瑟·薇丽 Arthur Waley （1889-1969）翻译出版了《诗经》，同时她生前至少还译了170 首包括唐诗在内的中国古典诗词。1971年纽约出版了A.R.戴维斯英文版《杜甫》（Tu Fu）一书；1973年美国耶鲁大学出版了阿塞 · 怀特 Arthur Wright《唐诗赏析》（Perspectives on the Tang）；1987 年香港商务印书馆出版了许渊冲、吴钧陶等 39 位翻译家们英译的《唐诗三百首》（在美国诗歌翻译出版市场上占有一定份额，受到华人和美国学界的欢迎）。以埃兹拉·庞德和洛威尔为例为例，他们意象派的代表诗人，庞德从中国古典诗歌、日本俳句中生发出“诗歌意象”的理论，为东西方诗歌的互相借鉴做出了卓越贡献，而庞德退出意象派后，洛威尔继续领导该派活动，提出6项原则性主张，即语言要通俗准确，创造新节奏，题材完全自由，用意象来写诗，表现要具体、简练、

浓缩。后来洛威尔又加上“要含蓄，不用直陈”的原则。他们力求以鲜明的意象和短小精悍的“中国式”诗体去反对陈腐的19世纪后期英国诗风，有积极意义，但重点追求诗歌的形式和技巧，有忽视作品的社会意义和思想价值的倾向。 研究路线:

在阅读21篇文献以及35篇期刊后，本人拟通过比较方法以及许渊冲先生的“三美理论”分析唐诗的意象翻译策略以及经验，分为六部分进行。

引言部分引言综述了国内外学术界对唐诗英译与意象转译的研究现状，在分析借鉴前人研究成果的基础上，提出本文的研究方向。目前国内外学术界主要从语言学途径、文化途径和诗学途径对中国古代诗歌进行研究，从翻译学角度研究意象的较少，尤其是将文化背景考虑在内尤为奇缺，本文拟从文学翻译和文化背景角度对比翻译作品进行分析，从而得出结论。

第一章以比较研究的方法探讨“意象”在中西文化中的内涵及其演变。在对“意象"内涵进行历史性描述之后，着重分析了意象在中西方诗歌创作中的审美作用及表现形式，由此展示西方意象派诗歌中的意象与中国古诗中意象之间的差异。

第二章从文化学的角度对诗歌意象转译进行研究，分析诗歌意象的可译性及其局限。通过对诗歌意象在中西文化中不同的审美情感表现，可以看出对诗歌意象的审美差异是构成可译性障碍的主要原因，而翻译过程中这种审美差异的克服程度决定了诗歌翻译水平的高低。

第三章选取中西方在唐诗英译上颇有成就与影响的几位译者一一埃兹拉·庞德、许渊冲以及其他几位中外唐诗翻译家的部分代表性译作进行个案研究。通过具体的实例分析，进一步研究中西语言文化影响下诗歌意象的差异性，以及意象转译的技巧与局限性。

第四章作者运用翻译的层次理论对诗歌意象的翻译进行研究，提出诗歌意象翻译的原则与策略。

结论对全文进行了总结，说明意象翻译是诗歌翻译的关键问题，而考虑文化背景更是重中之重，亟待翻译理论界深入研究。本译实践分析不够，本课题研究还存在不足，有待今后进一步深化。